Sunday, January 31, 2021

Poem - The Last Move - Ada Limón

from Bright Dead Things


It was only months when it felt like I had been
washing the dishes forever.

Hardwood planks under the feet, a cord to the sky.
What is it to go to a We from an I?

Each time he left for an errand, the walls
would squeeze me in. I cried over the nonexistent bathmat, wet
floor of him,
how south we were, far away in the outskirts.

(All the new bugs.)

I put my apron on as a joke and waltzed around carrying
a zucchini like a child.

This is Kentucky, not New York, and I am not important.

This was before we got the dog even, and before I trusted
the paralyzing tranquilizer of love stuck
in the flesh of my neck.

Back home, in my apartment, another woman lived there.
In Brooklyn, by the deli, where everything
was clean and contained.

(Where I grieved my deaths.)

I took to my hands and knees. I was thinking about the novel
I was writing. The great heavy chest of live animals
I had been dragging around for years; what’s life?

I made the house so clean (shine and shine and shine).

I was suspicious of the monkey sounds of Kentucky’s birds,
judging crackles, rusty mailbox, spiders in the magnolia tree,
tornado talk, dead June bugs like pinto beans.

Somewhere I had heard that, after noting the lack
of water pressure in an old hotel in Los Angeles,
they found a woman’s body at the bottom
of the cistern.

Imagine, just thinking the water was low, just wanting
to take a shower.

After that, when the water would act weird,
spurt, or gurgle, I’d imagine a body, a woman, a me
just years ago, freely single, happily unaccounted for,
at the lowest curve of the water tower.

Yes, and over and over,
I’d press her limbs down with a long pole
until she was still.

Poem - Hermit Thrush - Donika Kelly

 

 
We never knew winter before this. 
Winter where none of the trees lose 
their needles, 
where ice creaks the limb, 
and the hermit thrush forages for insects 
on the forest floor. Winter where, 
finally, the white girls, after a long, 
long summer of bronze and muscle and shine, 
cover their legs. Winter, where we can finally feel 
beautiful, too. 
We say we. 
I mean I. 
When they cover their legs, 
I can feel beautiful, too.

Friday, January 29, 2021

On Being with Ross Gay



On Being with Ross Gay



Tippett: I wanted to talk to you about justice and how you grapple with that reality, that aspiration, that concept. And there has been an evolution of that. You have brought together the idea of longing for justice and working for justice with also exalting the beautiful and tending to what one loves, as much as what one must fight.

Gay: Tending to what one loves feels like the crux. And I’m very confused about justice, I think. I feel like the way we think of justice is absolutely inadequate, often. Often. Not everyone. And I am curious about a notion of justice that is in the process of exalting what it loves.

Tippett: So here’s something you wrote somewhere. You said
“I often think the gap in our speaking about and for justice, or working for justice, is that we forget to advocate for what we love, for what we find beautiful and necessary. We are good at fighting, but imagining, and holding in one’s imagination what is wonderful and to be adored and preserved and exalted is harder for us, it seems.”


Gay: I also think that there’s a part of our bodies that are wired — and this is a thing that I noticed, that when I would experience something delightful, and sometimes I’d be like, “Oh, that’s wonderful” — so often, I’d be like, “I want to tell you.” It is this thing that actually makes me reach out towards someone.

And that feels bodily. I don’t know if a scientist has found this out yet, but when something good happens, do we gather around a thing? It is a feeling that I have, a deep feeling that I have, and I feel like it’s something that I witness, too, that people kind of want to share the stuff that they love.

Tippett: There’s this famous line from Cornel West, that justice is love made public.


[Reading and talk: What's the difference between exuberance (commitment to wonder) and earnestness (too tight fastness to rube-like wonder) when reading the essay about the meanings of "touched"]

Tuesday, January 26, 2021

Poem - Silent friend of many distances / Let this Darkness Be a Bell Tower / Sonnets to Orpheus II, 29 - Rainer Maria Rilke


Silent friend of many distances, feel
how your breath enlarges all of space.
Let your presence ring out like a bell
into the night. What feeds upon your face

grows mighty from the nourishment thus offered.
Move through transformation, out and in.
What is the deepest loss that you have suffered?
If drinking is bitter, change yourself to wine.

In this immeasurable darkness, be the power
that rounds your senses in their magic ring,
the sense of their mysterious encounter.

And if the earthly no longer knows your name,
whisper to the silent earth: I’m flowing.
To the flashing water say: I am.

Translated by Stephen Mitchell



Let This Darkness Be a Bell Tower


Quiet friend who has come so far,

feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,

what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.

In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.

And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.


Translated by Joanna Macy

Monday, January 18, 2021

Poem - To Gabriella at the Donkey Sanctuary - Mary Szybist



All morning I’ve thought of you feeding donkeys in the Spanish sun—Donkey Petra, old and full of cancer. Blind Ruby who, you say, loves carrots and takes a long time to eat them. Silver the beautiful horse with the sunken spine who was ridden too young for too long and then abandoned. And the head-butting goat who turned down your delicious kiwi so afterward you wondered why you hadn’t eaten it.

Here I feed only the unimpressed cats who go out in search of something better. Outside, the solitaires are singing their metallic songs, warning off other birds. Having to come down from the mountain this time of year just to pick at the picked-over trees must craze them a little. I can hear it in their shrill, emphatic notes, a kind of no, no in the undertone.

Gabriela-flown-off-to-save-the-donkeys, it’s three hours past dawn. All I’ve done is read the paper and watch the overcast sky gradually lighten. Breaking news from the West: last night it snowed. A man, drunk, tied a yellow inner-tube to his pickup, whistled to his daughter, and drove in circles, dragging her wildly behind…

I know. But to who else can I write of all the things I should not write? I’m afraid I’ve become one of those childless women who reads too much about the deaths of children. Of the local woman who lured the girl to her house, then cut the baby out of her. Of the mother who threw her children off the bridge, not a half-mile from where I sleep.

It’s not enough to say the heart wants what it wants. I think of the ravine, the side dark with pines where we lounged through summer days, waiting for something to happen; and of the nights, walking the long way home, the stars so close they seemed to crown us. Once, I asked for your favorite feeling. You said hunger. It felt true then. It was as if we took the bit and bridle from our mouths. From that moment I told myself it was the not yet that I wanted, the moving, the toward—

“Be it done unto me,” we used to say, hoping to be called by the right god. Isn’t that why we liked the story of how every two thousand years, a god descends. Leda’s pitiless swan. Then Gabriel announcing the new god and his kingdom of lambs—and now? What slouches

toward us? I think I see annunciations everywhere: blackbirds fall out of the sky, trees lift their feathery branches, a girl in an out-sized yellow halo speeds toward—

I picture her last moments, the pickup pulling faster, pulling rougher, kicking up its tracks in the slush: she’s nestled into that golden circle, sliding toward the edge of the closed-off field—

I am looking at the postcard of Anunciación, the one you sent from Córdoba in the spring. I taped it to the refrigerator next to the grocery list because I wanted to think of you, and because I liked its promise: a world where a girl has only to say yes and heaven opens. But now all I see is a bright innertube pillowing behind her head. All I see is a girl being crushed inside a halo that does not save her.

This is what it’s like to be alive without you here: some fall out of the world. I fall back into what I was. Days go by when I do nothing but underline the damp edge of myself.

What I want is what I’ve always wanted. What I want is to be changed.

Sometimes I half think I’m still a girl beside you—stretched out in the ravine or slouched in the church pews, looking up at the angel and girl in the colored glass, the ruby and sapphire bits lit up inside them. Our scene. All we did was slip from their halos—

Which is to say, mi corazón, drink up the sunlight you can and stop feeding the good fruit to the goat. Tell me you believe the world is made of more than all its stupid, stubborn, small refusals, that anything, everything is still possible. I wait for word here where the snow is falling, the solitaires are calling, and I am, as always, your M.

The Path (Poem) by Lynn Ungar



Life, the saying goes, is a journey,
and who could argue with that?
We’ve all experienced the surprising turns,
the nearly-impassible swamp, the meadow
of flowers that turned out not to be quite
so blissful and benign as we first thought,
the crest of the hill where the road
smoothed out and sloped toward home.

Our job, we say, is to remain faithful
to the path before us. Which is an assumption
as common as it is absurd.
Really? Look ahead. What do you see?
If there is a path marked out in front of you
it was almost certainly laid down for someone else.

The path only unfolds behind us,
our steps themselves laying down the road.
You can look back and see the sign posts—
the ones you followed and the ones you missed—
but there are no markers for what lies ahead.

You can tell the story of how
you forded the stream or got lost
on the short cut that wasn’t,
how you trekked your way to courage or a heart,
but all of that comes after the fact.

There is no road ahead.
There is only the walking,
the tales we weave of our adventures,
and the songs we sing
to call our companions on.

By Lynn Ungar 7-27-17

Song - What Must Be Done - Greg Greenway


 I learned as a child there are two ways to see

The world as it is and the way it could be
Some people say that's just not my problem
Some people do what must be done
They see the hole in the fabric that must be sewn
They see the way blockaded and they roll back the stone
They see the day beyond the horizon
And they do what must be done

Chorus:

Some people do, do, do, what must be done
They do what must be done
They see the way beyond the horizon

And they do what must be done

 

I've seen the toll taken, the tears that were shed
I've seen the journey started and the ripples spread
Some people say that's just not my problem
Some people do what must be done...
They see the hole in the fabric that must be sewn
They see the way blockaded and they roll back the stone
They see the day beyond the horizon
And they do what must be done...

Sometimes the darkness is all we can see
We can’t envision what the future will be
But in our hearts is that which can guide us
So we can do what must be done...

We see the hole in the fabric that must be sewn
We see the way blockaded and we roll back the stone
We see the day beyond the horizon
And we do what must be done...

words & music by Greg Greenway (formerly of Brother Son). Last verse by Trevanna Grenfell

Say It (poem) by Ross Gay



If I told you we were slapping the beat to some
Barry White jam crooning from the boombox
and that every single one of us at one point or another
jumped up to shake what shook on us and there were lines of us
in step and a loon in every one of our mouths who knew
and one of us in his pressed shirt dancing his dead father’s
hunchbacked smooth another singing back up like hers
and another shaking his head no but meaning yes,
oh yes—and if I told you the proprietor of this roti joint
dragged his wife from the kitchen where she was busy
currying chana for the best doubles in Brooklyn
so she too might witness this unabashed racket, this stampede
of glee and goof, this clan of black clad—and if I told you
today we laid down one too young
to lay down:
praise the body its miraculous
stutter and thrum. Praise its slosh and drag and drone
and every particulate diving toward the dirt.
The rampant heart its last kick and holler. The blood
clot’s last long swim to the lung. Praise the lung
its last whistle, and the kidney’s no more—
say this; say praise
the machine hiss your father became
and the quick way he gave it up; say
praise the liver’s dread swell.
Say it again. Say it with your heart and neck
and lent throat gaped and flayed
to the sky. Say it covering someone’s hand
with yours, straightening your tie. Say it
to the earth’s fat mouth. Say it the way
you can turn on your heel to spark fire and make
your limber hip twist like a lesser storm,
or the way there is a storm between
your two good hips which are good
good music if you listen;
say it in your polished shoes,
to the organist say it too; praise the heart
its rivers and each rope twisted in the body,
and every bird housed in the body:
vulture, gull, raven, jackrabbit, cask
wick and flame a bird too; say
praise to flame a bird too; praise to the nerve
endings in your teeth, and to your tongue
like a blind man’s hand reading
her teeth, and the tongue inside the eyes,
and the nose in the tongue and the heart
in the tongue; say praise to salt,
tear, stain, and skin ripped apart
like a kite flipping in the wind, praise
the rip in the kite and the geese flying through it, praise
the wings you swore you had
when you were six years old and the wings
that remain today; praise
every flower you never smelled
and every dog you never kissed, and the skinny farmer
at the market with bad teeth who gave you
his last cantaloupe and peppers and snap peas who
you never kissed, praise the handful of freckles
dashed across your father’s face that you never
kissed until he would not wake again; say it;
say it again; say praise the sunlight
trapped on your father’s face
and the body’s slapdash racket
slipping away
if you want to or not
clean the dirt from your teeth and the glass
from your fists if you want to or not
tie both your shoes and fix your suspenders
and praise
the heart inside the heart
cracking its shackles, its thunderclap
shrug, its two thousand dolphins waving
goodbye. Praise, every day, the two thousand
dolphins waving goodbye. Shaking off
our hearts and waving goodbye.

Monday, January 11, 2021

Writing prompts


  • Catalogue of unending gratitude
  • Poem in a sun shape
  • Letter about what you learned. Story = lesson.
  • "Translate" a poem
  • Wanting to tell [      ] about [     ]
  • What did it taste like?
  • Ways to be alone
  • Ways to be silent
  • Christmas songs (written? unwritten?)
  • Songs of sorrow
  • Take lines from poem Confluence by YUSEF KOMUNYAKAA

Wednesday, January 06, 2021

Political Transitions

Today Georgia chose to elect a black man of faith and a Jewish man over a white man and a white woman clothed in hate.

Today groups formed around hate stormed the U.S. Capitol to disrupt the peaceful transition of power, egged on by our elected demagogue.

Tonight, the moon rises on new hopes and new fears and shines a pale light on a possible path forward if we walk together toward justice. 

“We who believe in freedom cannot rest until it comes.” -Ella Baker


Sunday, December 27, 2020

The Low Road (poem) by Marge Piercy

What can they do to you?
Whatever they want..

They can set you up, bust you,
they can break your fingers,
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember.
they can take away your children,
wall up your lover;
they can do anything you can’t stop them doing.

How can you stop them?
Alone you can fight, you can refuse.
You can take whatever revenge you can
But they roll right over you.
But two people fighting back to back
can cut through a mob
a snake-dancing fire
can break a cordon,
termites can bring down a mansion

Two people can keep each other sane
can give support, conviction,
love, massage, hope, sex.

Three people are a delegation
a cell, a wedge.
With four you can play games
and start a collective.
With six you can rent a whole house
have pie for dinner with no seconds
and make your own music.

Thirteen makes a circle,
a hundred fill a hall.
A thousand have solidarity
and your own newsletter;
ten thousand community
and your own papers;
a hundred thousand,
a network of communities;
a million our own world.

It goes one at a time.
It starts when you care to act.
It starts when you do it again
after they say no.
It starts when you say we
and know who you mean;
and each day you mean
one more.

To have without holding (poem) by Marge Piercy


Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.

It hurts to thwart the reflexes
of grab, of clutch; to love and let
go again and again. It pesters to remember
the lover who is not in the bed,
to hold back what is owed to the work
that gutters like a candle in a cave
without air, to love consciously,
conscientiously, concretely, constructively.

I can’t do it, you say it’s killing
me, but you thrive, you glow
on the street like a neon raspberry,
You float and sail, a helium balloon
bright bachelor’s button blue and bobbing
on the cold and hot winds of our breath,
as we make and unmake in passionate
diastole and systole the rhythm
of our unbound bonding, to have
and not to hold, to love
with minimized malice, hunger
and anger moment by moment balanced.

What will you become? Meditation for a new year

Snowflake burning to steam on a long poker

Soft wood carved to gentle curve fitting a smaller space

Raindrop crying down a window, magnifying the spaces I pass


I do not contain multitudes

Even my voice echoes in here

There is no top and no bottom

No up

All down

Falling

Shedding

Listening

Reaching

Trying for stillness

Centeredness

Branching

Rooting

Connecting earth to sky

Hand to hand

Intent to impact

One to all

Myself to the better parts of my nature

Saturday, December 19, 2020

Invitation to Brave Space - Micky ScottBey Jones


Together we will create brave space
Because there is no such thing as a “safe space”
We exist in the real world
We all carry scars and we have all caused wounds.
In this space
We seek to turn down the volume of the outside world,
We amplify voices that fight to be heard elsewhere,
We call each other to more truth and love
We have the right to start somewhere and continue to grow.
We have the responsibility to examine what we think we know.
We will not be perfect.
This space will not be perfect.
It will not always be what we wish it to be
But
It will be our brave space together,
and
We will work on it side by side.

Friday, December 18, 2020

 My parents met at the University of New Mexico. My mom was studying anthropology, and my dad studied history (I think). They met singing in a choir, which seems strange for both of them, honestly.

Both talked at some point about the phenomenon of wanting to buy a particular car and suddenly seeing that car everywhere. They had a fancy name for it, which I remember hearing but not what it was.

Over the years, I've asked them for the term, but neither now remembers knowing it!

And then, just recently, I've heard the term EVERYWHERE. Replicating the very phenomenon that it was coined to describe.

The Baader-Meinhof Phenomenon is the phenomenon where something you recently learned suddenly appears 'everywhere'. Also called Frequency Bias (or Illusion), the Baader-Meinhof Phenomenon is the seeming appearance of a newly-learned (or paid attention to) concept in unexpected places.

Saturday, December 12, 2020

Sunday, November 15, 2020

Song - Japanese Bowl - Peter Mayer



I’m like one of those Japanese bowls
That were made long ago
I have some cracks in me
They have been filled with gold

That’s what they used back then
04_03
When they had a bowl to mend
It did not hide the cracks
It made them shine instead

So now every old scar shows
from every time I broke
And anyone’s eyes can see
I’m not what I used to be

But in a collector’s mind
All of these jagged lines
Make me more beautiful
And worth a higher price

I’m like one of those Japanese bowls
I was made long ago
I have some cracks you can see
See how they shine of gold.

Quote by Australian activist Christine Caine

 "Sometimes when you're in a dark place, you think you've been buried, but actually, you've been planted."


Wintered Over (Poem) by Lisa Breger

 

Water carries sunlight along a narrow twisting stream;

sunlight glitters on the water’s back

light among dark trees.

I watch a hawk in the distance glide the thermals


rise and circle the open space over Lake Cochituate.

Soon it will be lilac season

among other kindnesses.

To have weathered this harsh winter


didn’t take courage or strength

though the lilacs are hardy

and the season brings forth.

How can I have nothing to say about this;


a survivor always has a story.

Maybe you just keep on living

even when the odds are against you.

A nurse brings a saucer of milk to your lips


and the cat in you,

how many lives now,

takes a swallow.

Then, you lift a hand and take her hand,


another sip,

and lift yourself up

which is what I remember.

Transplanted stem cells find their way back to the marrow.


I was neither strong nor brave.

I stayed in bed and looked out the window.

Some days the old oaks across the way swayed in the wind other

days: stillness and birds.


I don’t know why I made it.

Don’t we all have a fierce desire

to see a hummingbird

drink from the trumpet vine?


Saturday, November 14, 2020

Poem - Heavy - Mary Oliver



That time
I thought I could not
go any closer to grief
without dying

I went closer,
and I did not die.
Surely God
had his hand in this,

as well as friends.
Still, I was bent,
and my laughter,
as the poet said,

was nowhere to be found.
Then said my friend Daniel,
(brave even among lions),
“It’s not the weight you carry

but how you carry it –
books, bricks, grief –
it’s all in the way
you embrace it, balance it, carry it

when you cannot, and would not,
put it down.”
So I went practicing.
Have you noticed?

Have you heard
the laughter
that comes, now and again,
out of my startled mouth?

How I linger
to admire, admire, admire
the things of this world
that are kind, and maybe

also troubled –
roses in the wind,
the sea geese on the steep waves,
a love
to which there is no reply?